Boy, did it ever. Even with a leaked version available on every file-sharing site before the premiere (one of the first shows to be leaked like this), “Rose” had nearly 11 million viewers tuned in. Rave reviews were everywhere. The positive reception to this episode alone earned the show a Christmas Special and a second season.
And yet… I don’t much care for this episode.
It pains me to admit that, but I feel like there are a lot of people out there who also feel like this isn’t exactly Doctor Who’s best.
“For shame!” people are probably saying. And I’m certain that someone out there is cracking their knuckles in anticipation as they arrange the words of their 300 word rebuttal in their mind. Feel more than free. After all, you’ve been kind enough to read my opinion, the least I can do is extend the same courtesy to you.
But before you tell me how amazing this episode is, let me ask you one question. If “Rose” is good enough to win viewers over on its own merits, then why does a sizable chunk of Whovians show their friends “Blink” first?
|I think it's a fair question.|
And that’s mostly because of what Doctor Who has become since this episode. I hate to compare it to later entries in the series with larger budgets and the kinks worked out, but the simple fact is that when you return to this episode after having seen later ones, it doesn’t hold up as well. I can’t give an objective review. I give everything I cover a fair chance to impress me, but this is all just my opinion in the end.
And my opinion is that this episode, while good, will be surpassed in no time. At the very least, this episode unintentionally dates itself hard. Things start off looking like they do now, only for somebody to whip out a cell phone that's ten years or more out of date, for example. Heck, Rose has to head over to her boyfriend's place to look something up online instead of doing it on her own phone. I know that's kind of unfair to say, but this episode is more jarring than watching an episode from the 70's. At least those episodes look like period pieces the whole time.
So now that I've talked about why I personally don't much care for this episode, I'll start talking about how amazing it is.
This episode is, at its core, a modern update of the Third Doctor’s first episode, “Spearhead from Space,” which was also the first appearance of the Nestene. It also creates sort of a bookend with the final story of the Classic Series, “Survival.” In that story, the Doctor and his companion investigate the odd goings-on around modern-day London, involving an old enemy of the Doctor’s. Just like in this story, although Rose doesn’t technically become a companion until the end of it.
This episode needed to explain a lot of things about Doctor Who to a new audience. The Doctor, the companion….
|All that jazz.|
There’s definitely a theme of change throughout this episode. Not only is there a new Doctor, but Mickey gets replaced with a plastic duplicate, Rose’s job disappears overnight, and even the Nestene Consciousness finds itself in new circumstances, without a home. And as we’ll find out later, that last point is a separate theme in and of itself.
|Also, get used to running. Lots and lots of running.|
The Doctor (Christopher Eccleston)
Christopher Eccleston was chosen over the other favorite for the role, Bill Nighy, partially because he was a friend of the showrunner, Russel T. Davies, and expressed an interest in helping return Doctor Who to TV.
|Hmmm. What if...?|
|Sometimes hiding it in rather over-the-top displays.|
There are allusions to the Doctor being involved with some kind of war (which will be picked up on later), and this has clearly taken its toll on the Doctor. Not only has he regenerated, but he’s traveling without a companion. When the Doctor breaks down in front of the Nestene’s accusations, it becomes clear that something happened between the TV movie and now.
But in the end, the Doctor is as he ever was. Clever, snarky, and however callous and alien he might appear, he has a heart of gold deep down. But don’t ever confuse that for pacifism. If you eliminate all other choices, he will end you. But that’s why he needs somebody with him. To remind him of the lives that get swept up in the madness.
In his first incarnation, he was fully prepared to kill a caveman in his own self-interests before his human companion stopped him. And here, Rose Tyler reminds him that Mickey is more than a victim of the Nestene; he’s a person. I mean, the Doctor probably cares more for the sonic screwdriver than Mickey's well-being. Incidentally, the new prop looks great, and it even kept the classic sound.
What? I'll freely admit that I like the Doctor's sonic screwdriver more than Mickey Smith.
Rose Tyler (Billie Piper)
Billie Piper was a bit of an odd choice at the time. Before Doctor Who, she was a singer; a teen pop star like Miley Cyrus. Only, she became well-known as a pretty good actress as opposed to being well known for…
|Whatever this is.|
Mickey Smith (Noel Clarke)
Noel Clarke was overacting because was under the impression that he was on “a kids’ show.” He’s admitted as such several times. Luckily, his subsequent appearances are a bit less cartoonish. Of course, he gets put through the wringer by then, but I’ll get to that eventually. Here, he’s sort of the third wheel/ball and chain keeping Rose and the Doctor apart.
Jackie Tyler (Camille Coduri)
The character’s not my cup of tea. She nags, she’s quick to attempt to “seduce” what she believes is a lawman, and she’s more than a little greedy. Luckily, we don’t see much of her here.
Monsters of the Week
In the 70’s, they played on people’s fears of this newfangled “plastic.” It seems silly now, but the odd synthetic material wasn’t trusted by many. So having plastic men invade was the obvious story to write. But now, plastic is everywhere. So instead of the Autons playing on the fear of the unknown, they’re now playing on our fear of what’s become so ubiquitous that we don’t give it a second thought.
|Hey, at least the limited budget worked to the Classic Series's advantage just this once.|
The Nestene Consciousness itself was voiced by Nicholas Briggs, a lifelong doctor Who fan who kept interest in the series alive during the hiatus by working on audio stories, where he voiced more than a few monsters. From this point forward, Briggs will basically be the voice of most of the show’s recurring monsters.
This episode is often said to be the first episode of Doctor Who filmed in HD. It isn’t, but it IS in widescreen, which is still a step up.
The visual effects, done by a group called “The Mill,” are uniformly great and make the most of the relatively increased budget that the show has to work with. The opening titles show the TARDIS spinning through the multicolored time vortex. The orange/blue/green coloration owes a lot to the Third Doctor’s Technicolor opening, but the overall sequence looks like a jazzed-up version of the one from the TV movie.
The TARDIS interior looks amazing. The switch to an organic look may have been a bit jarring...
|Especially when it used to look like this.|
|Sorry, New-Who. My heart belongs to the TV Movie in this case.|
When you talk to most fans of the Classic Series about “Spearhead from Space,” they’ll probably gush about how utterly creepy it was when the Autons smashed their way out of the storefront windows. That never happened. Don’t get me wrong, the Autons smashed their way out of the storefronts. It just happened off screen because the BBC didn’t have the budget to show them breaking through the glass. So the effect was achieved by cutting away from the Autons as they prepared to break through. But here, they finally get to do the effect.
In fact, this whole episode is like a glorious proclamation of "We can finally have actual special effects!"
When all is said and done, it’s worth watching. but probably no more than once. It’s enjoyable, certainly, but I don’t think it’s something people are in a hurry to rewatch. I mean, after this episode introduces you to the new status quo of the Revived Series, it loses a lot of its purpose. And if you're looking for a Ninth Doctor episode, there are better ones than this.
So good, maybe even great, but it gets even better from here.
Next time, the world ends. No, really. The world actually ends, and it isn't undone. In any other show, that would be the final episode, not the second. See you then!