Seriously, I didn't actually plan it out this way. |
The plot is relatively unchanged from the original book.
More than anything else, it's been streamlined and simplified, with extraneous
scenes cut and certain details changed, like where Zeke was when Emile dressed
up as the Phantom, or the circumstances of discovering that Emile isn't the
night janitor. And the re-spelling of "Esmerelda."
But the episode also cuts the main significance of the play
itself. In the book, the unfortunate boy who ended up dying found the play in
the basement of the newly-built school. Which adds to the idea that the play is
cursed, since that's an odd place to find a random play, hinting that perhaps
supernatural forces are behind everything.
But the script was destroyed, save for a single copy, which
was locked away... until now. Not sure why Ms. Walker suddenly decided to whip
out that ol' cursed play...
You know, maybe it's for the best that the origins of The
Phantom were left out of this episode. The full story raises more questions
than it answers.
Speaking of questions... if Emile was the
"Phantom" that painted that warning, how did he open Zeke's locker to
hide the paint inside?
Themes
The story does actually touch upon themes of Brian's
obsession, but only in the final part. Most of the story takes its cues from a
Scooby-Doo episode. You have the creepy guy dressing up as a monster to keep
people away, you have the girl losing her glasses, you have a chase
sequence... if Zeke had started eating
dog treats, that'd be the final nail in the coffin.
Characters
Brooke Rogers (Jessica Moyes)
Brooke is a bit bland, with her only real defining trait
being the fact that she's playing Esmeralda in The Phantom.
...I have nothing else to say about her. Not the actress's fault, there's just not much personality for her in the script.
Corey Sklar (Philip Eddolls)
Corey pretty much only exists to fall into the trap door,
which Ms. Walker did in the original book. Still, it's a step up from his
barely-a-presence. It's good to know that Eddolls still gets work as an animator, working on things like The Little Prince.
Zeke Matthews (Shawn Potter)
Zeke is the first red herring, as the audience is meant to
wonder if he's taking his stupid pranks too far this time. And... again, that's
it. He's just there to keep the audience from figuring out the twist.
Tina Powell (Julie Annis)
And here we have the person whose warnings get ignored, a
staple in many examples of the horror and mystery genres. And another red herring, who goes up to the rafters before Emile swoops down, with a motive for bumping Brooke off.
Ms. Walker (Kathryn Greenwood)
One of Goosebumps's most useless adults. She only gets
involved in problems after they've become a problem (see: The
"Phantom"'s scuffle with Brooke) and blames Zeke for things he would
have to break the laws of physics to have done. Still, I was a theatre kid in high school and college, and I
can tell you right now that her energy and enthusiasm is spot on.
And I'm sure she'll be the most famous Whose Line is it Anyway? alumnus on this show....
And I'm sure she'll be the most famous Whose Line is it Anyway? alumnus on this show....
Emile (Eric Fink)
Yet another in Goosebumps's proud tradition of creepy
adults. Today's flavor is a bit more mysterious than other examples, since
nothing is ever explained, other than that he's a homeless man living under the
stage. But he fulfills all the important requirements for a Goosebumps-brand
creepy adult, in that he's creepy, and adult, and he grabs the protagonist.
Brian Coulson (Stuart Stone)
So, Brian's dream is to portray the Phantom onstage, but
dies before he gets the chance. So he proceeds to wait 72 years until his
school puts the play on again. Then he gives the lead actress dreams about a
trap door?
I think the implication is that Brooke going below the stage
freed his spirit, since he doesn't show up until after that, but I'm not sure.
But on opening night, Brian decides to live out his dream by
getting onstage and not delivering his lines correctly? And now he wants to
drag Brooke to Hell?
I mentioned in "The Haunted Mask" that R.L.
Stine's more complicated plots like to fall apart. Case in point: "Phantom of
the Auditorium." The only clear motivation in the entire episode is Emile, and
that's just because I can understand why a homeless man would want to find some
shelter where he can live.
Monster of the Week: The Phantom
Not really one of the more memorable villains, and that's
primarily because he doesn't exist. The only person to actually use the guise
of the Phantom to his advantage was Emile; Brian only dons the guise onstage at
the very end when he fails to live out his dream.
And funnily enough, Scooby-Doo ended up (most likely
completely unintentionally) imitating this story for Scooby-Doo: Stage Fright,
which featured multiple individuals masquerading as a Phantom of the Opera
homage for their own personal gain.
Visuals
Um... it's shot and edited competently?
Ihe dream sequence is a little ADD, though. |
So I'll take this moment to compliment Tina on those sets.
Because if there had been one, its bark would have sounded suspiciously like "Scooby-Dooby-Doo."
Child-Grabbing Count
Child-Grabbing Count
Brooke: 5
Zeke: 1
Total: 6
Zeke: 1
Total: 6
Everyone to wear the Phantom costume grabs Brooke at least
once.
Foliage POV Shots: 0
But only because there was no foliage in the rafters.
Final Thoughts
It's not one of Stine's best books, and it's not one of the
better episodes, despite the efforts of Bruce Edwards to adapt the story. Having said
that, its pretty watchable. I got a few chuckles out of it, and the mystery's
fine for the kids this was aimed at.
Next time, we switch from theatre class to music class for
one of the... odder installments. See you then!
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